Sato san’s works are an embodiment of the best qualities of design. They are honest, simple responses to a need and, at the same time, they are expressive and delightful.
In 1962, Eero Saarinen designed a building that looked like flight itself.
These two concepts — size and space, are family members with typography, and often depend on each other.
For those who are aware of the eminence of typography in web experience, no explanation is necessary. For those who don’t, no explanation would suffice.
Fluid typography gives us so many opportunities to better design the reading experiences on the web but, at the same time, it introduces problems.
“A man who would letterspace lower case would steal sheep,” Frederic Goudy used to say.